Goubert: L'Arc éphésien de Sainte-Marie Majeure et les Évangiles apocryphes, Mél. The reader is referred to reviews of the study when it first appeared, and especially to that of P. The Apostles receive the Messiah and pass him on to the Church of Rome.ĭr Marrou in his avant-propos abstains from any opinion on the iconographical value of Mme Brodsky's theories. The history of Sarah and Isaac is illustrated parallel to that of Joseph and the Virgin. Andrei Rublev Art Holy Trinity, Oklad, or Cover of the Trinity Icon (Detail), Russian Icons: The Saviour, Saint Michael the Archangel, C1410, The Vladimir.

The author detects a sure and direct influence of the De Civitate Dei in the programme of the mosaics. This is the republication in book form of an 'Ekphrasis' of the triumphal arch of Saint Mary Major which previously appeared in Byzantion, 31 (1961), pp. Brodsky, V iconographie oubliée de G Arc éphésien de Sainte- Marie Majeure à Rome, in-8°, 168 pages, 8 plates, Éditions de Byzantion Brussels, 1966. Unfortunately it furnishes no information as to the provenance of these works, nor as to their bibliography. This catalogue of a private collection includes a number of important icons (n° 8 Hodigitria and Pantocrator diptych, attributed to the 15th century, n° 15 Transfiguration, attributed to the 14th century, n° 36 Forty martyrs of Sebaste' attributed to the 16th century). In addition, Saint Andrei Rublev has added some elements that cannot be. Dean Mckenzie, Greek and Russian icons and other liturgical objects in the collection of Charles Bolles Rogers, 44 pages, 35 plates, University of Wisconsin-Milwaukee, 1966. This final installment will take a brief look at the iconography and explore a. The text is by the Curator of Ancient monuments of the Department of Antiquities, Cyprus.Ī. This illustrated handbook includes architecture and icons as well as mosaics and frescoes. Papageorghiou, Masterpieces of the Byzantine art of Cyprus, in-4°, 40 pages, 56 plates, Republic of Cyprus, 1966. 9-56), followed by a catalogue raisonné of the ample photographic documentation which he has collected.Ī.

Lazarev, Andrew Rublev and his school, in-4°, 168 pages, 18 colour plates, 194 black and white, Moscow, 1966 (in Russian).ĭ Lazarev gives a critical appraisal of the painting of Rublev and his school (pp.

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